Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample

Gonca Demir

doi:doi:10.11648/j.hss.20150304.11

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Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample

Gonca Demir

Published in Humanities and Social Sciences (Volume 3, Issue 4)

Received: 23 May 2015 Accepted: 10 June 2015 Published: 25 June 2015

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Abstract

Turkish folk music has a priviliged place in music types due to regional dialect varieties. The future of Turkish folk music depends on protection of its attitude originating from dialect differences and its resistance against change. Turkish folk music regional dialect properties are transcripted by Turkish Linguistic Institiution Transcription Signs/TLITS depending on linguistic laws in axis of phonetics, morphology and parole existence. On the other hand, depending on musicological laws, regional dialect properties of Turkish folk music which is a verbal/artistic performance type structured in axis of linguistic approaches in ethnomusicology-performance/display theory are also transcripted by Turkish Linguistic Institution Transcription Signs/TLITS. It is determined and approved by linguistic/musicology source and authotrities that this reality which is also present in other world languages can be transferred to notation and vocalized again and again in accordance with its original through International Phonetic Alphabet/IPA existence and usability of which have been registered by local and universal standards through the notification that will be submitted. In order to initiate an application parallel to applications in national/international platforms a suggestion was made under the scope of ITU SBE TMP Post Graduation Program thesis, it will be developed under the scope of ITU SBE MJT Doctorate Program thesis, therefore Turkish Folk Music Phonetic Notation System/TFMPNS based on Turkish Linguistic Insitution Transcription Signs/TLITS and International Phonetic Alphabet/IPA sounds in axis of linguistics/morphology measures together with local/universal attachments will be introduced; the conveying and adaptation processes of phonotactic properties (defined as a field of science examining the voices that may and may not be placed respectively in a language, phonology/voice combination/voice coalescence rules) to Turkish Folk Music Phonetic Notation System/TFMPNS will be realized. Gele Gele Geldim Bir Kara Dasa folk music text which is one of the 128 melodious poetical literature examples transcripted by Urfa/Kerkük/Tallâfer Dialects Turkish Linguistic Insitution Transcription Signs/UKTD TLITS and musics recorded live in music assemblies between years 1967-1987 and phonograph records were selected as sample material (together with voice record compiled from a source person who is expert in the regional music and universal correlations) that will be examined by phonotactic theory/analysis method according to scientific compilation rules. Besides, detailed emphasize will be made on Turkish Folk Music Phonetic Notation System of Phonotactic Awareness Skill Development Processes/TFMPNS PASDP-Turkish Folk Music Phonetic Notation System of Phonotactic Therapy Applications/TFMPNS PTA-Turkish Folk Music Phonetic Notation System of Phonotactic Probability Calculator Database/TFMPNS PPCD.

Published in	Humanities and Social Sciences (Volume 3, Issue 4)
DOI	10.11648/j.hss.20150304.11
Page(s)	125-132
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2015. Published by Science Publishing Group

Keywords

Phonetic, Phonotactic, Turkish Folk Music

References

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Gonca Demir. (2015). Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample. Humanities and Social Sciences, 3(4), 125-132. https://doi.org/10.11648/j.hss.20150304.11

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Gonca Demir. Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample. Humanit. Soc. Sci. 2015, 3(4), 125-132. doi: 10.11648/j.hss.20150304.11

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Gonca Demir. Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample. Humanit Soc Sci. 2015;3(4):125-132. doi: 10.11648/j.hss.20150304.11

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@article{10.11648/j.hss.20150304.11,
  author = {Gonca Demir},
  title = {Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample},
  journal = {Humanities and Social Sciences},
  volume = {3},
  number = {4},
  pages = {125-132},
  doi = {10.11648/j.hss.20150304.11},
  url = {https://doi.org/10.11648/j.hss.20150304.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20150304.11},
  abstract = {Turkish folk music has a priviliged place in music types due to regional dialect varieties. The future of Turkish folk music depends on protection of its attitude originating from dialect differences and its resistance against change. Turkish folk music regional dialect properties are transcripted by Turkish Linguistic Institiution Transcription Signs/TLITS depending on linguistic laws in axis of phonetics, morphology and parole existence. On the other hand, depending on musicological laws, regional dialect properties of Turkish folk music which is a verbal/artistic performance type structured in axis of linguistic approaches in ethnomusicology-performance/display theory are also transcripted by Turkish Linguistic Institution Transcription Signs/TLITS. It is determined and approved by linguistic/musicology source and authotrities that this reality which is also present in other world languages can be transferred to notation and vocalized again and again in accordance with its original through International Phonetic Alphabet/IPA existence and usability of which have been registered by local and universal standards through the notification that will be submitted. In order to initiate an application parallel to applications in national/international platforms a suggestion was made under the scope of ITU SBE TMP Post Graduation Program thesis, it will be developed under the scope of ITU SBE MJT Doctorate Program thesis, therefore Turkish Folk Music Phonetic Notation System/TFMPNS based on Turkish Linguistic Insitution Transcription Signs/TLITS and International Phonetic Alphabet/IPA sounds in axis of linguistics/morphology measures together with local/universal attachments will be introduced; the conveying and adaptation processes of phonotactic properties (defined as a field of science examining the voices that may and may not be placed respectively in a language, phonology/voice combination/voice coalescence rules) to Turkish Folk Music Phonetic Notation System/TFMPNS will be realized. Gele Gele Geldim Bir Kara Dasa folk music text which is one of the 128 melodious poetical literature examples transcripted by Urfa/Kerkük/Tallâfer Dialects Turkish Linguistic Insitution Transcription Signs/UKTD TLITS and musics recorded live in music assemblies between years 1967-1987 and phonograph records were selected as sample material (together with voice record compiled from a source person who is expert in the regional music and universal correlations) that will be examined by phonotactic theory/analysis method according to scientific compilation rules. Besides, detailed emphasize will be made on Turkish Folk Music Phonetic Notation System of Phonotactic Awareness Skill Development Processes/TFMPNS PASDP-Turkish Folk Music Phonetic Notation System of Phonotactic Therapy Applications/TFMPNS PTA-Turkish Folk Music Phonetic Notation System of Phonotactic Probability Calculator Database/TFMPNS PPCD.},
 year = {2015}
}

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TY  - JOUR
T1  - Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample
AU  - Gonca Demir
Y1  - 2015/06/25
PY  - 2015
N1  - https://doi.org/10.11648/j.hss.20150304.11
DO  - 10.11648/j.hss.20150304.11
T2  - Humanities and Social Sciences
JF  - Humanities and Social Sciences
JO  - Humanities and Social Sciences
SP  - 125
EP  - 132
PB  - Science Publishing Group
SN  - 2330-8184
UR  - https://doi.org/10.11648/j.hss.20150304.11
AB  - Turkish folk music has a priviliged place in music types due to regional dialect varieties. The future of Turkish folk music depends on protection of its attitude originating from dialect differences and its resistance against change. Turkish folk music regional dialect properties are transcripted by Turkish Linguistic Institiution Transcription Signs/TLITS depending on linguistic laws in axis of phonetics, morphology and parole existence. On the other hand, depending on musicological laws, regional dialect properties of Turkish folk music which is a verbal/artistic performance type structured in axis of linguistic approaches in ethnomusicology-performance/display theory are also transcripted by Turkish Linguistic Institution Transcription Signs/TLITS. It is determined and approved by linguistic/musicology source and authotrities that this reality which is also present in other world languages can be transferred to notation and vocalized again and again in accordance with its original through International Phonetic Alphabet/IPA existence and usability of which have been registered by local and universal standards through the notification that will be submitted. In order to initiate an application parallel to applications in national/international platforms a suggestion was made under the scope of ITU SBE TMP Post Graduation Program thesis, it will be developed under the scope of ITU SBE MJT Doctorate Program thesis, therefore Turkish Folk Music Phonetic Notation System/TFMPNS based on Turkish Linguistic Insitution Transcription Signs/TLITS and International Phonetic Alphabet/IPA sounds in axis of linguistics/morphology measures together with local/universal attachments will be introduced; the conveying and adaptation processes of phonotactic properties (defined as a field of science examining the voices that may and may not be placed respectively in a language, phonology/voice combination/voice coalescence rules) to Turkish Folk Music Phonetic Notation System/TFMPNS will be realized. Gele Gele Geldim Bir Kara Dasa folk music text which is one of the 128 melodious poetical literature examples transcripted by Urfa/Kerkük/Tallâfer Dialects Turkish Linguistic Insitution Transcription Signs/UKTD TLITS and musics recorded live in music assemblies between years 1967-1987 and phonograph records were selected as sample material (together with voice record compiled from a source person who is expert in the regional music and universal correlations) that will be examined by phonotactic theory/analysis method according to scientific compilation rules. Besides, detailed emphasize will be made on Turkish Folk Music Phonetic Notation System of Phonotactic Awareness Skill Development Processes/TFMPNS PASDP-Turkish Folk Music Phonetic Notation System of Phonotactic Therapy Applications/TFMPNS PTA-Turkish Folk Music Phonetic Notation System of Phonotactic Probability Calculator Database/TFMPNS PPCD.
VL  - 3
IS  - 4
ER  -

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Gonca Demir

Istanbul Technical University Turkish Music State Conservatory, Vocal Performance Department, Istanbul, Turkey

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Plain Text BibTeX RIS

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Gonca Demir. (2015). Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample. Humanities and Social Sciences, 3(4), 125-132. https://doi.org/10.11648/j.hss.20150304.11

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ACS Style

Gonca Demir. Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample. Humanit. Soc. Sci. 2015, 3(4), 125-132. doi: 10.11648/j.hss.20150304.11

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AMA Style

Gonca Demir. Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample. Humanit Soc Sci. 2015;3(4):125-132. doi: 10.11648/j.hss.20150304.11

Copy | Download

@article{10.11648/j.hss.20150304.11,
  author = {Gonca Demir},
  title = {Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample},
  journal = {Humanities and Social Sciences},
  volume = {3},
  number = {4},
  pages = {125-132},
  doi = {10.11648/j.hss.20150304.11},
  url = {https://doi.org/10.11648/j.hss.20150304.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20150304.11},
  abstract = {Turkish folk music has a priviliged place in music types due to regional dialect varieties. The future of Turkish folk music depends on protection of its attitude originating from dialect differences and its resistance against change. Turkish folk music regional dialect properties are transcripted by Turkish Linguistic Institiution Transcription Signs/TLITS depending on linguistic laws in axis of phonetics, morphology and parole existence. On the other hand, depending on musicological laws, regional dialect properties of Turkish folk music which is a verbal/artistic performance type structured in axis of linguistic approaches in ethnomusicology-performance/display theory are also transcripted by Turkish Linguistic Institution Transcription Signs/TLITS. It is determined and approved by linguistic/musicology source and authotrities that this reality which is also present in other world languages can be transferred to notation and vocalized again and again in accordance with its original through International Phonetic Alphabet/IPA existence and usability of which have been registered by local and universal standards through the notification that will be submitted. In order to initiate an application parallel to applications in national/international platforms a suggestion was made under the scope of ITU SBE TMP Post Graduation Program thesis, it will be developed under the scope of ITU SBE MJT Doctorate Program thesis, therefore Turkish Folk Music Phonetic Notation System/TFMPNS based on Turkish Linguistic Insitution Transcription Signs/TLITS and International Phonetic Alphabet/IPA sounds in axis of linguistics/morphology measures together with local/universal attachments will be introduced; the conveying and adaptation processes of phonotactic properties (defined as a field of science examining the voices that may and may not be placed respectively in a language, phonology/voice combination/voice coalescence rules) to Turkish Folk Music Phonetic Notation System/TFMPNS will be realized. Gele Gele Geldim Bir Kara Dasa folk music text which is one of the 128 melodious poetical literature examples transcripted by Urfa/Kerkük/Tallâfer Dialects Turkish Linguistic Insitution Transcription Signs/UKTD TLITS and musics recorded live in music assemblies between years 1967-1987 and phonograph records were selected as sample material (together with voice record compiled from a source person who is expert in the regional music and universal correlations) that will be examined by phonotactic theory/analysis method according to scientific compilation rules. Besides, detailed emphasize will be made on Turkish Folk Music Phonetic Notation System of Phonotactic Awareness Skill Development Processes/TFMPNS PASDP-Turkish Folk Music Phonetic Notation System of Phonotactic Therapy Applications/TFMPNS PTA-Turkish Folk Music Phonetic Notation System of Phonotactic Probability Calculator Database/TFMPNS PPCD.},
 year = {2015}
}

Copy | Download

TY  - JOUR
T1  - Phonotactic Properties of Turkish Folk Music Phonetic Notation System/TFMPNS: Urfa Region Sample
AU  - Gonca Demir
Y1  - 2015/06/25
PY  - 2015
N1  - https://doi.org/10.11648/j.hss.20150304.11
DO  - 10.11648/j.hss.20150304.11
T2  - Humanities and Social Sciences
JF  - Humanities and Social Sciences
JO  - Humanities and Social Sciences
SP  - 125
EP  - 132
PB  - Science Publishing Group
SN  - 2330-8184
UR  - https://doi.org/10.11648/j.hss.20150304.11
AB  - Turkish folk music has a priviliged place in music types due to regional dialect varieties. The future of Turkish folk music depends on protection of its attitude originating from dialect differences and its resistance against change. Turkish folk music regional dialect properties are transcripted by Turkish Linguistic Institiution Transcription Signs/TLITS depending on linguistic laws in axis of phonetics, morphology and parole existence. On the other hand, depending on musicological laws, regional dialect properties of Turkish folk music which is a verbal/artistic performance type structured in axis of linguistic approaches in ethnomusicology-performance/display theory are also transcripted by Turkish Linguistic Institution Transcription Signs/TLITS. It is determined and approved by linguistic/musicology source and authotrities that this reality which is also present in other world languages can be transferred to notation and vocalized again and again in accordance with its original through International Phonetic Alphabet/IPA existence and usability of which have been registered by local and universal standards through the notification that will be submitted. In order to initiate an application parallel to applications in national/international platforms a suggestion was made under the scope of ITU SBE TMP Post Graduation Program thesis, it will be developed under the scope of ITU SBE MJT Doctorate Program thesis, therefore Turkish Folk Music Phonetic Notation System/TFMPNS based on Turkish Linguistic Insitution Transcription Signs/TLITS and International Phonetic Alphabet/IPA sounds in axis of linguistics/morphology measures together with local/universal attachments will be introduced; the conveying and adaptation processes of phonotactic properties (defined as a field of science examining the voices that may and may not be placed respectively in a language, phonology/voice combination/voice coalescence rules) to Turkish Folk Music Phonetic Notation System/TFMPNS will be realized. Gele Gele Geldim Bir Kara Dasa folk music text which is one of the 128 melodious poetical literature examples transcripted by Urfa/Kerkük/Tallâfer Dialects Turkish Linguistic Insitution Transcription Signs/UKTD TLITS and musics recorded live in music assemblies between years 1967-1987 and phonograph records were selected as sample material (together with voice record compiled from a source person who is expert in the regional music and universal correlations) that will be examined by phonotactic theory/analysis method according to scientific compilation rules. Besides, detailed emphasize will be made on Turkish Folk Music Phonetic Notation System of Phonotactic Awareness Skill Development Processes/TFMPNS PASDP-Turkish Folk Music Phonetic Notation System of Phonotactic Therapy Applications/TFMPNS PTA-Turkish Folk Music Phonetic Notation System of Phonotactic Probability Calculator Database/TFMPNS PPCD.
VL  - 3
IS  - 4
ER  -

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